Footage from promotional, educational, industrial and amateur films made in the 1950s, 1960s, and 1970s (from the Prelinger Archives, founded in New York in 1983, which hold over 60,000 in the collection) accompanied by a text by John Berger (from his essay on art criticism, Ways of Seeing) create a thought-provoking film-poem on perception in our era of technical reproduction.<%YOUTUBE=3qWEk8OB4_E%>
